Charles-Raoul Verlet

Overall the condition of the bronze is excellent. There is some minor wear and scratching to the surface consistent with age.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

La douleur d'Orphée vividly depicts Orpheus' anguish after having lost his beloved Eurydice forever to the underworld. He emerges in misery from the gates of hell, here guarded by Cerberus, having made the mistake to look at his lover while returning her to earth, thus breaking his promise to Hades.

This model of Orpheus brought the sculptor great acclaim. When shown at the 1887 Salon it was purchased by the state and a prize of 4000 France, enabling him to travel through Italy for two years. It was perhaps also decided then to erect the bronze version on the place Malesherbes which was destroyed in 1942. Most importantly, Verlet was able to make the model available through the Barbedienne foundry, the present version being the largest of four sizes.

RELATED LITERATURE
Kjellberg, p. 638-9; Rolin, annexe 1