Isidore-Jules Bonheur

Overall the condition of the bronze is excellent. There is some minor wear consistent with age. There is a fine dark wax to the surface.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Le grand jockey is Bonheur's greatest sculptural achievement. The bronze depicts a victorious jockey and his exhausted but powerful horse immediately after their race. As the jockey faces the spectators he pats his horse on the neck and keeps it in check. Together, the poised jockey and the forceful horse form a monumental group.

Four sizes of the model were edited and the present cast is in the rare largest size at 95 centimetres. The bronze founder who was most closely involved in Bonheur's lifetime casts was François-Auguste-Hippolyte Peyrol. Peyrol was married to Isidore's sister Juliette and worked in close conjunction with the sculptor. The present Grand Jockey is typical of the finely cast and carefully finished bronzes produced by the Peyrol foundry.