Lot 420
  • 420

Sir Alfred James Munnings, P.R.A., R.W.S. 1878-1959

Estimate
100,000 - 150,000 GBP
Log in to view results
bidding is closed

Description

  • The Grey Mare
  • signed l.l.: A. J. MUNNINGS
  • oil on canvas
  • 63.5 by 76cm., 25 by 30in.

Condition

STRUCTURE Original canvas and the structure is sound. CATALOGUE ILLUSTRATION The illustration is broadly representative but in reality the colours are richer. PAINT SURFACE The paint surface is in good clean, condition with string impasto. ULTRAVIOLET LIGHT ultraviolet light reveals no sign of retouching or restoration. FRAME Held in an ornate plaster gilt frame in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

The Grey Mare is highly reminiscent of the painting 'My Grey Mare'  (1914) in the collection of the Sir Alfred Munnings Art Museum.  The composition and setting of the present work is also virtually indentical, down to the small section of fence breaking the tree line, to Grey Hunter in a Meadow (whereabouts unknown).  Whether the horse in question belonged to Munnings or not there is a great sense of intimacy in all three works.  Careful attention is paid to the horse's idiosyncracies from the dappled hind and forelegs through the purple tinge on the belly to the pricked ears and brightness of the eyes.  All combine to produce a sense of the living horse beyond anatomical precision.  As the artist himself refelected,
'...stroking one of them, I am always astonished at the superfine silkiness of its coat, the fine shaping of the head and neck; the sensitive, nervous system, and, above all, the eye, so calm and placid in some - alert in others with ears pricked...listening...to what?'