Lot 112
  • 112

Eric Harald Macbeth Robertson 1887-1941

Estimate
8,000 - 12,000 GBP
bidding is closed

Description

  • Eric Harald Macbeth Robertson
  • study of a seated nude (recto), the crucifixion (verso)
  • oil on canvas

Condition

STRUCTURE This picture is painted on both sides. Both sides are in very good condition with strong colours. The paint surfaces are stable and there are no signs of craquelure. the picture is ready to hang. UNDER ULTRAVIOLET LIGHT NUDE -There are very minor flecked retouchings to the girl's knee, thigh and breast and a small area below her chin. Other minor retouchings elsewhere. All these retouchings are very minor. CRUCIFICTION - There are minor flecked retouchings in the background. FRAME Contained in a simple modern frame that allows the painting to be hung to display either the recto or verso.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Seated Nude was painted around c.1912 and was the first version of a series of nude compositions that Robertson painted during this period.

In Edinburgh, Robertson became friendly with John Duncan who introduced him into the world of Celtic Myth and the Symbolist painters. In Duncan's studio he met Cecile Walton, daughter of E.A. Walton, who became his wife. In 1912 he showed in Edinburgh with Barclay, Hutchison, Spence Smith, Storrock and Sutherland and they later formed the Edinburgh Group in 1919.

Robertson's unconventional morality together with the nudity found in many of his works at the time scandalised Edinburgh. However, these works are regarded to be amongst his best works. A contemporary wrote that 'he had genius no one who ever came into contact with him could possibly doubt'.