Lot 142
  • 142

Sofia Ludvigovna Zaklikovskaya, 1899-1975

Estimate
15,000 - 20,000 GBP
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Description

  • Sofia Ludvigovna Zaklikovskaya
  • people and animals
  • signed with initials in Cyrillic l.l.

  • watercolour over pencil on paper
  • 35 by 40cm., 13¾ by 15¾in.

Provenance

Kira Inokenteevna Suvorova, the Artist's daughter, Leningrad.

Barry Friedman, New York

Literature

Russian Art 1920's-1930's Kit Art Publishing Moscow. 2006, p.14 (illustrated)

Condition

The sheet appears sound but is a little discoloured. Held in a simple wooden frame and under glass. Unexamined out of frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Sofia L. Zaklikovskaya studied under Pavel Filonov in the early 20th century.  Along with his other pupils, she participated in the illustration of "Kalevala" and today, several of her pre-war paintings hang in the State Russian Museum and the Central Manezh Exhibition Hall in St. Petersburg, as well as the Moscow Museum of Contemporary Art. During the war, she and her family moved to Komsomolsk on the Amur where she completed the decoration of the ceiling of the Komsomol House of Culture.  Over time, she gave up painting in the style of the Filonov School, and pursued her passion of landscapes, still lifes and interiors.  This piece is exemplary of her preferred genre, and still retains the influence of Filonov's poetically detailed works.