Lot 11
  • 11

Fedor Ilych Baikov, 1818-1890

Estimate
30,000 - 40,000 GBP
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Description

  • Fedor Ilych Baikov
  • russian army manoeuvres
  • signed with initials in Cyrillic l.l. and dated 1844
  • oil on canvas
  • 61.5 by 76cm., 24ΒΌ by 30in.

Condition

Original canvas. There is a 10 by 14cm. patch to the reverse l.r. The paint surface is dirty and there is a layer of discoloured varnish. There are fine lines of craquelure throughout and light rubbing to the paint surface at the edges. Examination under ultraviolet light reveals some spots of retouching to eh edges and elsewhere l.r. but the presence of an opaque layer of varnish prevents a more conclusive examination. Unframed. TO BE FRAMED.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

This work showcases Baikov's talent as a landscape painter. The infantry in the foreground are shown from the rear, making it impossible to distinguish their facings. The cavalry crossing further upstream are to so small as scale as to prevent identification. Indeed the only character shown in any detail is the steppe horseman who has joined the observers on the bank in the lower left of the picture.

 

But the tranquillity of this river crossing scene belies the difficulty of such an event. The manoeuvre shown appears to be an exercise, as suggested by the presence of observers and senior officers on the bank in the foreground. The mounted officer in the lower left urges his company to a speedier crossing, under the keen eye of the other officers higher up on the same bank. The tone for the whole work is an exercise within an exercise: an essay in Baikov's twin talents of realistic military portrayal in a majestic steppe landscape setting.