- 70
Luis Ricardo Falero Granada 1851 - Londres 1896, Ecole Espagnole
Estimate
10,000 - 15,000 EUR
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Description
- Luis Ricardo Falero
- La favorite
- Signé en bas à droite Falero
- Huile sur panneau
- 40.2 x 24.7 cm ; 15 3/4 by 9 3/4 in ;
Condition
Very good overall condition. Few repaints along the edges. Possibly few minor repaints scattered all over the surface. Heavy frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Falero a souvent représenté des jeunes femmes nues ou semi-vêtues, mystérieuses et distantes, posant dans un décor orientalisant. Ces accessoires orientalistes teintaient d'exotisme et rehaussaient le caractère sensuel de ces tableaux, qui rencontrèrent un grand succès auprès du public français de l'époque.