Circle of Otto van Veen

The support consists of three horizontal panels, kept stable by three vertical batons and six blocks along each join. There is a split along the centre right of the central panel and this is kept stable by three canvas joins. The painting is not too dirty but the varnish is slightly discoloured. The paint surface is in reasonable condition, although the panel joins and crack are evident. There are discoloured retouchings scattered throughout the painting, largely as a result of isolated paint losses and paint loss on the panel joins and crack. These are clearly visible under ultraviolet light. The blue pigment in some of the figures' dress (eg the woman holding her baby, just left of Christ) has oxidised. The lot is offered in a carved and gilt wood Salvator Rosa frame which is structurally sound but has suffered some knocks and wear.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The subject is taken from Matthew chapter 19, verses 13-15.