Manner of Jean Antoine Watteau

Both panels are flat, stable and uncradled and both have been extended on the upper (by 1 cm) and lower (by 2 cm) margins. The paint surfaces are in good condition and inspection under ultraviolet light reveals scattered strengthenings and retouchings throughout. The paintings are offered in carved and gilt wood frames and are ready to hang.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The compositions of both paintings derive from original works by Watteau. The former derives, in reverse and with some differences, from Watteau's Les Plaisirs du bal in London, Dulwich Picture Gallery. The latter dervies, with minor differences, from a lost painting by Watteau known only through engravings (see G. Macchia, Watteau, Milan 1962, p. 99, cat. no. 62 and p. 113, cat. no. 164).

These two panels appear to be by the same hand as a panel, of similar dimensions, sold Olympia, Sotheby's, 24 April 2007, lot 525.