After Hyacinthe Rigaud

The canvas has been relined. The paint surface is generally sound although somewhat worn in areas and subsequently retouched, particularly in the darker background areas and the sitter's cap. The somewhat discoloured varnish prevents thorough inspection under UV light although some more recent retouchings in the background areas do fluoresce. Offered in a carved and gilt wood frame in fair condition with some knocks and paint losses.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

An 18th century copy after Rigaud's original in the Musée Fabre, Montpellier, inv. no. 830.1.3 (see De Jean Cousin à Degas, Chefs-d'oeuvre de la peinture, 100 Masterpieces, Musée Fabre, Ville de Montpellier, exh. cat., 1988, p. 100, illustrated p. 101.)