Roman School, 17th Century

The painting is slightly less red than the catalogue illustration but the colours are quite representative. The painting is on a copper support and has been recently cleaned, restored and varnished. No restoration is obvious to the naked eye and inspection under ultra-violet light reveals retouchings in the lower corners and other scattered retouchings but these are minor and localised. Older retouchings are apparent in the background, especially upper left and in an area to the right of St. Francis. There are a few very small scattered retouchings on Christ, the most significant being one measuring 3 by 3mm. on his right shoulder. A few retouchings on the white sheet are also apparent, probably applied to hide some thinness, but on the whole the painting is in good condition. The restoration has been sensitively carried out and is invisible to the naked eye: the painting can be hung as is. The modern black and gold Salvator Rosa-style wood frame is in good condition (except for a few minor knocks to give it the appearance of natural wear).
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The painting bears an old inscription to Ludovico Cardi, called il Cigoli.