Attributed to Hieronymus van der Mij Leiden 1687 - 1761

The actual painting is softer in tone and is less shiny than the catalogue illustration suggests. The single panel is bevelled on all sides. A surface crack is visible in the upper right corner and is retouched. A retouched paint loss is visible in the woman's face as well as strengthening along her left arm. The background has grown somewhat thin, but details of the drapery's folds and vegetables are well preserved. The paint surface is covered under a dirty and discoloured varnish layer. Altough the varnish layer mostly fluoresces under UV-light, abovementioned retouchings are confirmed and reveals an additional one at the pot outer right. Offered in a very ornate, gilt wood frame which is in good condition. (JD)
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The physiognomy of the woman can be recognised in other works by the painter, for example in the painting respresenting A Woman holding a beer glass, in the Johannesburg Art Gallery, Johannesburg.¹

1. See C. Wansink, 'Hieronymus van der Mij als Historie-en genreschilder', in Oud Holland 99, 1985, p. 206, cat. no. 6, reproduced p. 209, fig. 17.