- 158
Francesco Guardi Venice 1712 - 1793
Description
- Francesco Guardi
- view of cannaregio with the ponte dei tre archi and figures in the foreground
- pen and brown ink and wash and black chalk with two black chalk vertical lines; on two sheets of paper joined vertically
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
This view can be compared stylistically with three other drawings which date from Guardi's early period when he was very influenced by Canaletto and was beginning to paint vedute. The closest is the study of The Piazza San Marco with the Campanile in the Museo Correr, Venice, where the figures are similarly drawn just with wash.1 It is also comparable with another view of The Piazza San Marco towards San Giminiano, formerly in the collection of Paul Wallraf2 and a View of the Piazzetta looking towards San Giorgio Maggiore, sold London, Sotheby's, 6 July 2005, lot 182. In the centre of the composition is the Palazzo Surian-Bellotto, which was the residence of the French ambassador in Venice. A painting dated to circa 1765-75 and signed with initials is the only other known version of this view, taken from the same position.3
1. See A. Morassi, Guardi, Tutti i disegni, Venice 1975, no. 324, reproduced fig. 324.
2. See Morassi, op.cit., no. 330, reproduced fig. 326.
3. New York, Frick Art Reference Library, see A. Morassi, Guardi, I Dipinti, vol. I, no. 575, reproduced vol. II, fig. 548.