Lot 56
  • 56

Moshe Propes 1922-1985

bidding is closed

Description

  • Moshe Propes
  • Working in the Field
  • signed in Hebrew (lower left)
  • oil on canvas
  • 26 3/4 by 39 3/8 in.
  • 68 by 100 cm.
  • Painted in 1952-53.

Provenance

Secretariat of Kibbutz Ein Hachoresh

Exhibited

Tel Aviv, Artist's House, Group of Ten, June-July 1953, no. 42

Ramat Gan, The Museum of Israeli Art, The Group of Ten 1951-1960, 1992, p. 86, no. 101, illustrated

Literature

Dr. L. Levi, Dvar Hashavua, July 9, 1953, illustrated

Condition

This work is relined. There is rubbing on the edges probably due to reframing of the work. There are a few areas of stabilized craquelure. There are scattered areas of retouching apparent mainly in the top right corner and upper left quarter when examined under ultra violet light. This work is varnished. Overall in good condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Moshe Propes immigrated to Israel from Poland in 1925 finally settling in Kibbutz Ein Hachoresh . He studied under Streichman and Stematsky in the Studia Art School and became part of the Group of Ten, the young opposition to the New Horizons group, who pursued a figurative, local Israeli art. In his work Propes integrated subjects from the kibbutz way of life and an exceptional painterly language which became more and more abstract and geometric and in which he portrayed his figures in closed rectangular areas with strict linear design.