Lot 107
  • 107

A rock crystal "Historismus" bonbonniere with enamelled gold mounts

Estimate
1,000 - 1,500 GBP
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Description

  • width 5.5cm, 2 1/4 in
Jean-Pierre Marrel, Paris restricted warranty mark for gold for 1819-1838, circa 1835



of oval cushion form, the lid carved with diaper-patterned texture within a white line and gold bead border, the acanthus leaf rim enamelled in translucent green interspersed with opaque white drops, polychrome-enamelled foliate thumbpiece

Condition

Small enamel losses, some restored, and an area of faint surface scratches to the lid. Otherwise in very good order.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Jean-Pierre, son of the jeweller Benoît-Roch Marrel, entered this mark for la fantaisie from 19 rue Croix-des-Petits-Champs on 1 August 1833 and began working in partnership with his brother, Benoît, at some point in the 1830s, re-registering the same mark in 1852 for Marrel Frères.  According to the almanac Azur (1847), their workshop was at 23 rue des Moulins and their retail premises at 27 rue Choiseul.  They won a Gold Medal at their first exhibition in 1839, having submitted "une corbeille, deux vases et un bassin décorés d'arabesques émaillées" (L. Dussieux, Histoire de la peinture sur émail, Paris, 1841).  By 1851, when they showed at the Great Exhibition in London, their only rivals were considered to be Froment-Meurice and Morel, although today Marrel Frères are less well-known.