- 64
A fine Southern Italian fruitwood and walnut ebony inlaid marquetry and parquetry 'Etruscan' commode late 18th century, the mounts English
Description
- 92cm. high, 130.5cm. wide, 63cm. deep; 3ft, 4ft.3½in., 2ft.1in.
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Comparative Literature:
Enrico Colle, Il Mobile neoclassico in Italia, arredi e decorazioni diinterni dal 1775 al 1800, Milan, 2005, pp. 78-79.
This unusual commode with its inset marble top and two doors enclosing drawers inlaid in the Etruscan style reflects the revival of this type of decoration in the late 18th century. Its distinctive features include ornamental motifs such as palmettes, anthemions and neo-classical figures in light colours on a dark ground imitating Antique Etruscan vases. Colle, op. cit., p. 78-79, no. 11, illustrates a Neapolitan demi-lune commode a vantaux decorated in the Etruscan manner, now in Palazzo Reale, Caserta, Naples. However, the decoration is painted and not inlaid as on the present commode.
Colle, op. cit., also illustrates various interiors conceived in the Etruscan style, such as the doors in Palazzo d'Avalos del Vasto, Naples and a bookcase in the library at Palazzo Reale, both of Neapolitan manufacture.
The inspiration for the decoration on this piece may well have been inspired by the recueil Antiquités Etrusques, Grecques et Romaines, tires du cabinet de M. Hamilton, envoye extraordinaire de S.M. Britannique en cour de Naples, published in Naples in 1766 by P.F.H. d' Hancarville depicting scenes from Sir Willian Hamilton's collection of antique vases. The contents of this acclaimed collection caused a sensation in both England and abroad and contributed to the revival in classical antiquity and the development of neo-classicism. Another possible source could have been the Collection of Engravings from Ancient Vases mostly of pure Greek Workmanship discovered in Sepulchres In the Kingdom of the Two Sicilies... also published in Naples, by W. Tischbein.
The presence of English mounts is intriguing as they bear the Prince of Wales feathers.
A related pair of Neapolitan commodes à vantaux, was sold as lot 97, in these Rooms, 11th December 2002. Also see a single commode à vantaux sold as lot 86, Sotheby's, Zurich , 11th June 2001.