- 6
Sir Anthony van Dyck 1599-1641
Description
- Anthony van Dyck
- Portrait of Philip Herbert, 4th Earl of Pembroke and 1st Earl Montgomery (1584-1649)
- inscribed l.r. with the identity of the sitter
- oil on canvas
- ENGRAVED: By W. Hollar
Provenance
Literature
Erik Larsen, L'Opera Completa di Van Dyck 1626-1641, 1980, p.116, no.844;
Erik Larsen, The Paintings of Anthony Van Dyck, Vol.II, 1988, p.367, no.939;
Susan J. Barnes, Nora de Poorter, Oliver Millar, Horst Vey, Van Dyck, A Complete Catalogue of the Paintings, 2004, p.571
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
The sitter was the son of Henry Herbert, 2nd Earl of Pembroke, and his third wife, Mary Herbert. He was a court favourite of James I and, according to Clarendon, he had "the good fortune, by the comeliness of his person, his skill, and indefatigable industry in hunting, to be the first who drew the king's eyes towards him with affection" (Clarendon, Hist. Rebellion, 1.74). Such favouritism continued with the reign of Charles I and he carried the king's spurs at the coronation in 1625. He served as Lord Chamberlain, but his star began to wane, and during the English Civil War he chose to play the part of a moderate parliamentarian. In 1649, although he was appointed to the High Court of Justice to try the king, he refused. He was held in sufficiently high regard by the Parliament that on his death in 1650 all members of Parliament were ordered to accompany his cortege on its way out of London.
The painting was owned by Sir William Feilding who fought at Edgehill in Prince Rupert's troop of horse.