Lot 267
  • 267

Paul Sormani, a kingwood secrétaire à abattant Paris, circa 1880

Estimate
7,000 - 8,000 GBP
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Description

  • 137cm. high, 81cm. wide, 38cm. deep; 4ft. 6ins., 2ft.8ins., 1ft. 3ins.
applied with gilt bronze mounts, the hinged fall with a painted panel and enclosing four short drawers, the lock signed P. Sormarni r. de Charlot, Paris

Condition

In good condition. The attractively cast mounts are tarnished but secure and present. The kingwood is a lovely colour and is unaffected by fading. It could do with a light polish. The painted decoration is very pretty - but there are some scatches, marks and as well as some scoring to the left side (these 'scores' are visible in the illustration). The interior is in wonderful condition and the lock plate is clearly signed. The drawer is good but a little sticky. There are chips to the veneers on the legs. A very fine piece.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Paul Sormani (1817-1887) was based at 10 rue Charlot from 1867.  The business continued after Sormani's death in 1887 under the direction of his widow and son until 1934.  Many of  the pieces made by the firm were directly influenced by earlier 18th century models.  Their work was especially recognised for its exceptional quality and was widely exhibited during the second half of the century.