A Selection of Books on Chinese, Japanese and Korean art

comprising: Oriental Ceramics: The World's Great Collections, vols. 1-3, 6, 9, 10, 11, Tokyo, 1982; Mayuyama, Seventy Years, vols. 1-2, Tokyo, 1976; Masterpieces of Chinese Carved Lacquer Ware in the National Palace Museum, Taipei, 1971; Masterpieces of Chinese Writing Materials in the National Palace Museum, Taipei, 1971; The Literati Mode: Chinese Scholar Paintings, Calligraphy and Desk Objects, London, 1986; Cecile and Michael Beurdeley, A Connoisseur's Guide to Chinese Ceramics, Switzerland, 1974; Derek Clifford, Chinese Carved Lacquer, London, 1992; Victoria Contag and Wang Chi-Ch'ien, Seals of Chinese Painters and Collectors, Hong Kong, 1966; Gerald Davidson, The Handbook of Marks on Chinese Ceramics, London, 1994; Christian Deydier, Chinese Bronzes, New York, 1980; Sir Harry Garner, Chinese Lacquer, London, 1979; Sir Harry Garner, Orient Blue and White, London, 1954; G. St. G. M. Gompertz, Chinese Celadon Wares, London, 1958; Basil Gray, Sung Porcelain and Stoneware, Great Britain, 1984; Bernard Leach and Shoji Hamada, Hamada Potter, Tokyo, 1990; Chu-Tsing Li and James C.Y. Watt (eds.), The Chinese Scholar's Studio, Tokyo, 1987; He Li, Chinese Ceramics: A New Comprehensive Survey, New York, 1996; Simon Kwan, Ming and Qing Bamboo, Hong Kong, 2000; Lee Yu-kuan, Oriental Lacquer Art, Tokyo, 1972; Robert D. Mowry, Hare's Fur, Tortoiseshell, and Partridge Feathers, Cambridge, 1996; Susan Peterson, Shoji Hamada: A Potter's Way and Work, New York, 1995; Susan Ribeiro (ed.), Arts from the Scholar's Studio, Hong Kong, 1986; Wang Shixiang, Connoisseurship of Chinese Furniture, vols. I-II, Hong Kong, 1990; Mary Tregear, Song Ceramics, New York, 1982; plus additional volumes (252)