A LARGE 'FAMILLE-ROSE' PLAQUE BY ZHU SHOUZHI (C.1890-1969) DATED 1964

of rectangular form, finely enamelled with a secen of Wu Song killing a tiger with his bare fist, framed

Examined in the frame: the plaque is in very good condition with the exception of a tiny enamel flake to the right hand edge and minor glaze firing imperfections across the panel. Minor chips and knocks to the wood frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Zhu Shouzhi, porcelain painter of the twentieth century, began his career by painting human portraits and figure compositions on porcelain plaques in Jingdezhen. His works are highly realistic, meticulously detailed and of exceptional quality. The present plaque depicts one of the most famous episodes, 'Wu Song Kills the Tiger' from the classical novel Shuihu zhuan (Water Margin) attributed to Shi Naian (1296-1372) of the Yuan dynasty. This story tells the tale of Wu Song who kills a tiger with his bare hands. He is rewarded for his bravery and is promoted to the position of  chief constable. The story of Wu Song was much favoured by Mao Zedong who used it in his writings to encourage the Chinese people to learn from it.

 

This plaque belongs to Zhu's later works and is an example of the type of work commissioned by the Chinese government under Mao Zedong's leadership. Works of this type were used for exhibitions, diplomatic gifts and official displays. Although it may have been made for propaganda purposes, it reflects the work of a distinctive period in Chinese history.