Venetian, early 17th century

an eagle at his feet and holding the thunderbolts in his right hand, on green marble base  

From the collection of Eduard Arnhold, Berlin, purchased circa 1900; thence by descent

Traces of later gilding visible in particular under left arm and neck. Tips of eagle's wings restored with traces of solder on the back and one tip missing, whilst the other wing tip appears to be a later replacement . Overall surface dirt with wear consistent with age.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Compare with the figure of Hercules, once attributed to the workshop of Niccolo Roccatagliata, in the Kunsthistorische Museum, Vienna, illustrated by Planiscig. The pose with the left hand on the hip, and the head turned to his right is unchanged. An exchange of attributes has transformed the subject's identity as Hercules's club is replaced by a handful of thunderbolts and an eagle is added to sit at Jupiter's feet.

RELATED LITERATURE
L. Planiscig, Venezianische Bildhauer der Renaissance, Vienna, 1921, fig. 697, p. 623