Workshop of Niccolo Roccatagliata (active 1593-1636) Venetian, 17th century

holding a flaming urn in his hands, mounted on mottled marble base  

From the collection of Eduard Arnhold, Berlin, purchased circa 1900; thence by descent

 

Overall surface dirt, this bronze would benefit from a light clean but otherwise condition is good and consistent with age.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The present putto can be compared to a putto topping an andiron by Niccolò Roccatagliata in the Museo Nazionale, Florence, illustrated by Planiscig, fig. 663. Although the Museo Nationale putto holds thunderbolts in his raised left hand, whilst the lowered hands of the present putto carry a flaming urn, the other details of the figure are closely comparable. Note the pose with the proper right leg stepping forward, the slightly twisted torso and head turned to the left as well as the treatment of the head and hair.

RELATED LITERATURE
L. Planiscig, Venezianische Bildhauer der Renaissance, Vienna, 1921, fig. 663, p. 601