- 146
John Hogan (1800-1858) Irish, mid 19th century
Description
- A marble figure of Venus
- monogrammed: JH
- Irish, mid 19th century
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
The Irish sculptor John Hogan began his career in the workshop of the architect Thomas Deane, producing decorative carvings. His love of classical antiquity stemmed from his early study of casts of the Vatican marbles which arrived in Cork in 1818. Funded by public subscription, Hogan travelled to Rome in 1824 to study at the English Academy. His work soon earned the praise of John Gibson and Bertel Thorwaldsen. From Rome he sent works to be exhibited at both the Royal Hibernian Academy and the Royal Academy.
Working exclusively in marble, Hogan’s work sought to blend naturalism with the Neo-classical Ideal. His Venus adopts a classical pose, but her rigidity is tempered by the delicate gestures of the hands holding the drapery and the careful description of the curves of torso and stomach.
RELATED LITERATURE
Strickland, W.G. A Dictionary of Irish Artists, 2 volumes, Dublin, 1913, vol. I, pp.489-96; J. Turpin, John Hogan, Irish Neoclassical Sculptor in Rome, Dublin, 1982, pp. 22-28