French, second half 18th century

Overall the condition of the terracotta is very good with some minor wear to the surface consistent with age and some minor surface dirt. There is a minor firing crack between the drapery and the stomach.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This neo-classical seated figure of Hercules encompasses characteristics found both in  Italian as well as French 18th century sculpture. Dating from the second half of the 18^th century, similarities in composition and treatment can be observed in works by Jean-Jacques Caffieri, such as his well known Rivergod from 1759 (Louvre MR1773) which exists in marble as well as a terracotta sketch with variations. The work of the Swedish sculptor Johan Tobias Sergel (1740-1814) who is reputed for his finely modelled terracottas of male nudes, appears to be stylistically close to this seated Hercules, in particular the group of  Otryades from 1779 in the Nationalmuseum of Stockholm (NMSk454). 

RELATED LITERATURE
L'esprit créateur de Pigalle à Canova. Terre cuites européennes 1740-1840, ex. cat. Muséé du Louvre, Paris, 2003,p. 61, nos. 17-18, and p. 223, no. 96; Sergel, ex. cat. Nationalmuseum Stockholm, 1990, no 206 and 237