Lot 539
  • 539

Marius Jean Antonin Mercié, 1795-1875, French. A bronze group of Gloria Victis

Estimate
8,000 - 12,000 EUR
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Description

  • 92cm.
signed A. MERCIÉ, inscribed F. BARBEDIENNE, Fondeur and with réduction mécanique A. Collas pastille, base inscribed GLORIA VICTIS, mid brown and golden patina, on a Red Griotte marble base and with Verde Antico marble column

Condition

Good original condition finally cast chisseled and patinate, the marble base with minor chipping at the bottom rim, marble column in good condition. A small part of the broad corniche of the basement broken and restored, minor chipping
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

One of the most successful French sculptors of his generation, Mercié studied at the École des Beaux-Arts in Paris and at the Académie de France in Rome. As early as 1868 he was awarded the Prix de Rome which was soon followed by numerous outstanding achievements, such as the cross of the Légion d'honneur, the Medal of Honor at the 1874 Salon for his Gloria Victis sculpture group, and the Grand Prix at the 1878 Exposition Universelle. In 1900, he became a professor at the École des Beaux-Arts and in 1913 he was made President of the Société des Artistes Français.

The GLORIA VICTIS sculpture group was executed shortly following the Franco-Prussian War. Initially, Mercié planned the group to consist of Fame and a victorious soldier but following France's surrender, the victorious figure was replaced with a defeated soldier. Replicas of this classic composition were used on monuments to the dead of the Franco-Prussian War of 1870 in many French towns, including Niort, Deux-Sèvres, Agen and Bordeaux.