- 24
Surekha
Description
- Surekha
- The Fragrance of Jasmine
eighty-three framed colored photographs
edition 1 of 2- each 9 by 6 3/4 in.
- each 22.5 by 17.5 cm.
- executed 2002
Exhibited
Indian Summer, Ecole Nationale Superieure des Beaux Arts, Paris, October 2005
Sites of Recurrence, Boras Museum, Sweden, September 2003; Dakshina Chitra Museum, Chennai, January 2003
Fragrance of Jasmine, Khoj International workshop, Mysore, 2002
Literature
Indian Summer, Ecole Nationale Superieure des Beaux Arts Paris, Paris, 2005, pp. 260-267 illustrated
Condition
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
In creating this work the artist collected about 350 photographs from a photographic studio in Mysore Taken by three generations of male photographers from the 1960's onwards, each photograph depicts the tradition in South India where a girl or young woman is photographed wearing an elaborate jasmine braid to mark an important stage in her life such as reaching puberty, getting married or becoming pregnant. A mirror is placed behind the girl to show the viewer the braid. As each photo is a similar format our focus is drawn to the individual expressions of the girls, some displaying excitement, others unease. By framing each individual photo with mirror glass so that the viewer's reflection is visible alongside the outward gaze of the women, Surekha heightens the unease between the viewer and the viewed.