Lot 362
  • 362

Hiroshi Sugimoto

Estimate
10,000 - 15,000 GBP
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Description

  • Hiroshi Sugimoto
  • Beacon, New York
  • signed, titled, dated 1979 and numbered 1/25 on the reverse
  • gelatin silver print
  • image: 42 by 54.5cm.; 16 1/2 by 21 1/2 in.
  • sheet: 50.8 by 61cm.; 20 by 24in.

Provenance

Hosami Gallery, Inc., Tokyo

Literature

Hans Belting, Hiroshi Sugimoto: Theaters, New York 2000, p. 65, illustration of another example

Condition

Colours: The colours are fairly accurate in the catalogue illustration, although there is greater contrast in the original. Condition: This work is in very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

"One evening while taking photographs at the American Museum of Natural History, I had a near-hallucinatory vision. My internal question-and-answer session leading up to this vision went something like this: "Suppose you shoot a whole movie in a single frame?" The answer: "You get a shining screen." Immediately I began experiementing in order to realize this vision. One afternoon I walked into a cheap cinema in the East Village with a large-format camera. As soon as the movie started, I fixed the shutter at a wide-open aperture. When the movie finished two hours later, I clicked the shutter closed. That evening I developed the film, and my vision exploded before my eyes." (Hiroshi Sugimoto quoted in: Exhibition Catalogue, Tokyo, Mori Art Museum; Wahington, D.C., Hirshhorn Museum and Sculpture Garden, Hiroshi Sugimoto, 2006, n/p)