- 207
Thomas Shotter Boys 1803-1874
Description
- Thomas Shotter Boys
- Place des Palais, Brussels
- signed l.l.: T. Boys./ 1830; inscribed verso: Part of the Palace of the Prince of Orange / with one of the entrances into the Park
watercolour over pencil with scratching out and gum arabic, heightened with white
- 15.9 by 24.6 cm.; 6 1/4 by 9 3/4 in.
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Thomas Shotter Boys began extensive travels around Europe in 1830, the date of this watercolour. He was predominantly focusing upon gathering material together for his project entitled, Picturesque Architecture in Paris, Ghent, Rouen etc, later published in 1839.
In 1830 the date of this watercolour Boys executed a number of other watercolour views of Brussels. For example, one entitled Brussels after an Artillery Attack, shows a slightly different view of the Place des Palais (sold in these Rooms on 18th March 1971, lot 104 (£2,300)). The dimensions of that watercolour almost exactly match this work strongly suggesting these two views may have been conceived as a pair.
Remarkably Boys's views of Brussels where painted at a time of particular political turmoil and unrest. The revolution and riots of August, 1830 ultimately resulted in the establishment of an independent Belgium state. Despite such political unrest, in this watercolour, Boys presents the Place des Palais as a peaceful location, where a multitude of figures can be seen strolling in the park.