Peter de Wint 1784-1849

The colours are generally strong and fresh, however the pigments in the sky have attenuated. The paper has very minor discoloration and there are occasional foxmarks, these can only be seen on close inspection. There is a rubbed line of discoloration located from the top right to the centre of the composition. There is also an area where the paper has suffered minor scoring, however again this is only visible on very close inspection. The sheet has not been laid down.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The town of Boston lies in Lincolnshire, on the east coast of England. De Wint has placed the viewer some distance from the town, in the Fens. Clearly visible is Boston's most notable landmark: St. Botolph's Church. The tower, or Stump, as it is locally known, is the highest in England.

De Wint's wife came from Lincolnshire. During their frequent visits to the area De Wint painted the local topography many times. It has been suggested that the present work dates from c. 1830. We are grateful to John Ellis for identifying this view.