John Varley 1778-1842

The colours remain clear, despite some overall minor fading to the sheet. At the bottom right hand corner there is evidence of some rubbing to the sheet. Located at the top right hand corner of the sheet there are very minor paper staines, however these can only be seen on very close inspection. The sheet has not been laid down. Overall the work has been well preserved.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Throughout his life John Varley made topographical tours to sketch the countryside of England and Wales. In 1803 Varley travelled to Yorkshire and was drawn to the ruins of Bolton Abbey.  The crumbling, ruined medieval structure held a fascination for Varley and other artists. The present work depicts the front door of a cottage in close proximity to the Abbey. The artist presents an intimate view of the rough-hewn stone and over-hanging timbers lending a sense of veneration to the building. Another drawing of this entrance in pencil entitled Cottage at Bolton, Yorkshire, is in the Paul Mellon Collection, Yale.