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Paire d'oiseaux en bronze doré et émaux cloisonnés Chine, Dynastie Qing, Epoque Qianlong (1736-1795)
Description
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
The present pair of cloisonné and gilt-bronze figure of magpies belongs to a small group of animal figures that were much favoured for their symbolic meaning as well as for their beauty. The magpie is the bird of happiness and carrier of good news. It is also associated with the arrival of spring and thus is the symbol of a new beginning. Furthermore, the chatter of the magpie is an omen of success associated with the Civil Service examinations. It is said that dreaming of a magpie before one's examination can be a prediction of great achievement. It was a bird also held in high esteem by the Manchus. According to legends one of their clan members when pursued by his enemies was saved by a magpie which perched on his shoulder so that he was mistaken for a tree trunk.
Compare a closely related pair of cloisonné magpies, lacking their stand, sold in our London rooms, 16th November 1976, lot 57; and another pair with the stand, sold in our New York rooms, 21/22nd September 2005, lot 211. Another figure of a magpie, with its wings stretched out in a flying pose, in the Musee des Arts Decoratifs, Paris, is illustrated in Soame Jenyns and W. Watson, Chinese Art: The Minor Arts, Fribourg, 1963, pl. 97.