- 286
An Iznik polychrome dish with leaping jackal or dog, Turkey, 17th century
Estimate
4,000 - 6,000 GBP
Log in to view results
bidding is closed
Description
of rounded form with sloping rim, decorated in red, cobalt blue, green and black outline with a central roundel of a leaping jackal or dog amidst floral sprays, the border with overlapping petals
Condition
clean breaks and repairs with some touching in, as viewed
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
This charming dish belongs to a distinctive group of Iznik wares dating to the late 16th/ 17th century painted with animated designs inspired by Balkan metalwork. Raby and Atasoy write: "The mixture of real and fantastical animals was characteristic of the Balkan 'teratological' style." (Raby and Atasoy 1989, p.258)