- 675
An Italian White Marble allegorical Sculpture of a Putto as "water," attributed to Domenico Parodi, late 17th century, Genoa, within 19th century surround
Description
- height 38 1/4 in.; width 37 1/2 in.
- 97 cm; 95 cm
Provenance
Condition
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Art historian Piero Boccardo, Director of the Galleria di Palazzo Rosso, Genova, has examined this piece and has confirmed that the central figure of a putto can be attributed to Domenico Parodi (1672-1740), the son of Filipo Parodi the preeminent sculptor of the Genoese Baroque. Parodi's Putto was incorporated into the present baroque style naturalistic surround of rockwork and bulrushes during the latter part of the 19th century. The ensemble was created for the principal staircase of the Palazzo Orsini in Genoa as part of the refurbishment of the palace in the 1870s and 1880s.
The sculpture's strong baroque carving recalls the work of Santo Varni (1807-1885), one of the most prominent 19th century Genoese sculptors, some of Varni's later masterpieces include the Ninfa con conchiglie, in a Genoese private collection, Amore che doma la Forza, in the Galleria d'arte moderna, Genoa, and Saffo, in a Genoese private collection. These are illustrated in La Scultura a Genova e in Liguria dal Seicento al Primo Novecento, vol. II, Genoa, 1988, figs. 440-444.