Piat Joseph Sauvage

Anonymous sale, Sotheby's, Paris, June 25, 2003, lot 103

Panel uncradled. There are some visible old cracks in the panel, but these appear to be stable. There are some discolored retouches here and there along aforementioned old cracks, but these are not disturbing. Painting is under a glossy varnish. In the goddess at right (closest to Paris) there has been some paint loss, which is now filled in. U.V. reveals scattered retouchings and reworkings, mostly in the white background. These retouches and reworkings have been applied well, and the painting may be hung in its present state. In a painted wood frame. This lot will be offered without reserve.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

This type of trompe l'oeil - of antique relief painted en grisaille - was very popular in Europe in the 18th and 19th centuries.  One of the most successful proponents of this type of painting was the artist Piat Joseph Sauvage, whose style this work and the following lots clearly emulate.