Ferdinando Vichi Italian, 1875-1945

Overall the condition of the marble is good with some minor wear to the surface consistent with age. There has been restoration to the fingers of the proper right hand and the rose in the proper right hand has been re-attached. There are some small marble sections inserted into the main block which appear to be original: they include two above the proper right breast, one to the right hip, three to the back and one to the proper left legsome of these are visible in the catalogue photographs. There are also a few minor inclusions to the marble surface consistent to the material. The column is in overall good condition with some chips including chips to the bottom of the central section and restored chips to the rim of the uppermost section. There are some spots of white paint.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Vichi was a Florentine sculptor active in the early 20th century.  In 1927 he executed a War memorial in Firenze-Bersaglieri, but his main activity was as a successful sculptor of decorative marbles and alabaster figurative compositions for a largely overseas market.  Vichi's reputation was enhanced by regular exhibitions. In 1898 he took part in the competition for the monument to Rossini in Santa Croce.  Notable exhibits include Ragazzo (1909), Appuntamento (1919), and Danza (1931).  An unusual aspect of Vichi oeuvre is his animal sculpture. In 1932 he exhibited Tigrettina and Levriero.

The present joyful figure of a nude holding a flower and the following lot representing a nude caught in a wave also by Ferdinando Vichi, epitomise his attractive style.  These figure studies are unencumbered by complicated allegory or mythology. They demonstrate Vichi's consummate skill in composition and execution.

RELATED LITERATURE
Panzetta, vol.2, p.953