A fine Bete heddle pulley

of figurative form, the legs forming the side supports for the bobbin and leading to the flared torso and elongated neck decorated with incised scarification, the head with a strongly angled facial plane and wearing a crested coiffure pierced for suspension; '123X' on the base; deep brown patina.

James Camp, New York, circa 1979

African Arts Magazine (advertisement) May 1979: 13