The eight-armed and four-headed manifestation of Manjushri, seated with his prajna in a mountain landscape with Ganesha and Mahakala in attendance, the Five Transcendental Buddhas above, with donors, offerings and a Vajracharya performing puja below, the framed scene surrounded by the eight cremation grounds separated by rivers.
For the format, compare an Uposhadha Avadana paubha in The British Museum dated 1807, see Pal, 1978, pl. 127.
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