Constantinos Parthenis Greek, 1878-1967

Constantinos Parthenis is generally esteemed as the founder of Greek modernism. Still Life before the Acropolis is one of the few paintings still in private hands of an important series from the 1930s depicting still lifes that were strongly influenced by Cubism. Most of the related works from this period are now in the collection of the National Gallery and Alexandros Soutzos Museum, Athens (see figs. 1 & 2).

With its superb subtle colouring and forcefulness of design Still Life before the Acropolis is a prime example of Parthenis’ powers as a draughtsman. The importance that Parthenis attached to drawing is evident in the prominence of line. These fine lines are enhanced only by the most delicate use of light and colour, breaking down form to create a modern rendition of a classical subject. By combining an essentially modern outlook and style with Greek symbolism and pictorial traditions, Parthenis, in this work, created an image that is firmly rooted within a national context, yet at the same time universal and timeless.

Parthenis's work was tremendously significant in the development of twentieth century Greek art. As a prominent member of the Omni Techni group of 1917 he was responsible, along with Constantinos Maleas, for introducing ideas of light and colour into Greek painting. With this movement and the influence that Parthenis exerted as Professor at the Athens School of Fine Arts from 1929-1947, the lingering influences of German academicism were finally banished from Athens' artistic circles, and a new path was laid, paving the way for experimentation in form and colour previously untried in Greek art.

Constantinos Parthenis, Still Life with the Acropolis in the Background, circa 1930-1935 @  National Gallery and Alexandros Soutzos Museum, Athens 

Constantinos Parthenis, The Jug, before 1934 @ National Gallery and Alexandros Soutzos Museum, Athens