Theodoros Rallis Greek, 1852-1909

Paris, Exposition Universelle, 1878, no. 42

The present work is an important composition that Rallis painted for the Exposition Universelle of 1878. Rallis, in contrast to many of the Orientalist artists of his generation, was in a unique and fortunate position, experiencing life in the East as a native during his childhood in Turkey. His innate understanding of the ways of the East, especially the customs and traditions of Muslim culture, gave his pictures a more authentic and deeper insight into a culture which was foreign to the European continent. His paintings are known for de-mystifying life in the hammam of the East.

Born in Constantinople of Greek descent, Rallis trained in Paris in the studio of leading pompier painter Jean-Léon Gérôme, through the support and patronage of King Otto of Greece. He made his debut at the Paris Salon in 1875, and in 1900 was appointed to the Jury of the Paris World Fair. Gérôme's legendary draughtsmanship and photographic finish provided a model of perfection, which Rallis emulated with great success, yet, contrary to Gérôme, ethnographical precision and exactitude were also his guiding principles. 

Fig. 1, Theodoros Rallis, Arabian Soldier Flirting, oil on canvas, National Gallery and Alexandros Soutzos Museum, Athens---dig ref 0102D06100