Follower of Francesco Albani

The painting slightly richer, darker and less contrasted in tone than the catalogue illustration. The panel is bowed and uncradled. There is a restored split to the upper right (25cm) and across the length of the panel (the length of the panel). The paint surface, which has been recently cleaned and varnished, is in fair condition but quite abraded in the background. Inspection under ultraviolet light reveals some strengthening to the shadows and to the background. Offered in a carved and gilt wood frame in quite good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

A 17th century derivation after Albani's original composition in the Musée du Louvre, Paris (see C. Puglisi, Franceso Albani, New Haven and London 1999, pp. 134-5, cat. no. 47, reproduced plate VII).