After Bernardo Strozzi

An 18th century copy after Strozzi's original composition, of which there are four known versions, the present picture being closest to the version in the Metropolitan Museum of Art, New York, for a discussion of the different versions see L. Mortari, Bernardo Strozzi, Rome 1995, pp. 190-192, cat. nos.  492-5, reproduced plates 492-5.