Nature has influenced Raza's work throughout his career. The 1960s saw Raza move towards a less structured compostion where he was 'no longer concerned with capturing the outward shape of things but their inner rhythm, and in evoking a response in the viewer through the use of appropriate colours.' (Geeti Sen, Bindu, Space and Time in Raza's Vision, 1997, p. 79). In the artist’s own words ‘... as a painter, I have to realise the ideas, the moods, the sentiments, in a visual language of form and colour. A painting has to be seen, and to be felt. It has to be felt -- through all the senses.' (ibid., p. 148).
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