Representations of these Elements is symbolic; all directions, all lines and forms have a particular meaning or value. They coalesce into a single entity like a graph that can be directly apprehended by the inner vision - for transmitting that which cannot be directly seen by the naked eye. By arriving at the same means by which to express the Elements, Raza has resorted to primordial forms which have been in use in India and elsewhere for centuries. Their significance and meaning is universal, although as we have seen, variations exist for abstracting the elemental forces.' (Geeti Sen, Bindu, Space and Time in Raza’s Vision, 1997, p. 137).
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