- 1083
A LARGE CLOISONNE ENAMEL THREE PIECE ALTAR GARNITURE SET MARKS AND PERIOD OF QIANLONG
Description
Catalogue Note
This magnificent set of cloisonné altar garniture represents the pinnacle of artistic and technical achievement of imperial enamel craftsmanship of the Qianlong period. Every detail on this set has been executed to the highest degree. This is evident from the quality of the gilding on all three pieces, especially the archaistic animal masks bands around the middle section of the vessels and the crisp casting of the lappets. No detail has been spared, including the hefty mass of the rings on the handle, each weighing approximately half a kilogram. The layout of the thin wires forming the cloisons is precise and well planned. The bright enamel colours are all delicately blended and sophisticatedly done. In terms of sheer size for a garniture group and overall quality, this set is unrivalled.
Large scale cloisonné vessels were commissioned not only to evoke grandeur in the imperial palaces of the eighteenth and nineteenth century, as well as to serve as ceremonial furnishings in Buddhist (Lamaist), Confucian and Daoist temples. The wares were manufactured at the imperial cloisonné workshops under the supervision of the Palace Workshops (Zaoban chu). See a photo taken in the early 20th century of a set of cloisonné altar vessels, including a smaller ding and a pair of vases similar to the ones in the present lot and utensils in situ before the main cult figure in the Daxiongbaodian of the Danzhe Temple near Beijing, illustrated in Helmut Brinker and Albert Lutz, Chinese Cloisonné: The Pierre Uldry Collection, New York, 1989, p. 53, fig. 29.
Another smaller five-piece altar set in the Palace Museum was exhibited in the Royal Academy of Arts, China: The Three Emperors 1662-1795, London, 2005, exhibition cat. no. 44. See also a group of censers and braziers in situ in the throne hall of the Mansion of Heavenly Purity in the Palace Museum, illustrated in Chuimei Ho and Bennet Bronson, Slendors of China's Forbidden City: The Glorious Reign of Emperor Qianlong, Field Museum, 2004, p. 47, fig. 32.