- 124
Follower of Sir Peter Paul Rubens
bidding is closed
Description
- Evening landscape
- oil on oak panel
Provenance
Didot, by whom sold, Paris, Henry Lacoste, 6 April 1825;
Captain Dunn, Manchester;
By whom sold, London, Christie's. 30 May 1916, lot 172;
Frits Lugt (1884-1970), Maartensdijk, Holland;
Frits Lugt's wife (according to Jaffé);
Anonymous sale, London, Christie's, 29 March 1968, lot 78 (as Sir Peter Paul Rubens), for £20,000 to Brod;
Anonymous sale ('The Property of a Lady'), London, Christie's, 29 June 1973, lot 85 (as Sir Peter Paul Rubens), for £22,000 to Symmons;
Jeremy Oates Esq., by whom offered, London, Sotheby's, 10 December 1975, lot 76 (as Sir Peter Paul Rubens).
Exhibited
Brussels, Musées Royaux des Beaux-Arts de Belgique, September-November 1926, Exposition du Paysage Flamand XVIe, XVIIe, XVIIIe siècle, no. 251 (lent by M. Frits Lugt; as by Rubens);
London, Royal Academy of Arts, Exhibition of Flemish and Belgian Art, January - February 1927, no. 268 (lent by Frits Lugt; as by Rubens).
London, Royal Academy of Arts, Exhibition of Flemish and Belgian Art, January - February 1927, no. 268 (lent by Frits Lugt; as by Rubens).
Literature
F. Lugt, "Notes sur Rubens", in Gazette des Beaux-Arts, series V, vol. xii, September-October 1925, pp. 23-5, reproduced opposite p. 18;
Memorial Catalogue of the Exhibition of Flemish and Belgian Art, Royal Academy, London 1927, p. 110, no. 268;
M. Jaffé, "Rubens as a collector", in Journal of the Royal Society of Arts, 1969, p. 657;
M. Jaffé, Rubens. Catalogo completo, Milan 1990, p. 329, no. 1060, as by Rubens, whereabouts unknown.
Memorial Catalogue of the Exhibition of Flemish and Belgian Art, Royal Academy, London 1927, p. 110, no. 268;
M. Jaffé, "Rubens as a collector", in Journal of the Royal Society of Arts, 1969, p. 657;
M. Jaffé, Rubens. Catalogo completo, Milan 1990, p. 329, no. 1060, as by Rubens, whereabouts unknown.
Catalogue Note
This picture has long been considered to be a landscape by Peter Paul Rubens, including, most recently, by Michael Jaffé, and it has never been doubted in the Literature. Professor Jaffé (see Literature) first dated it to the mid-1630s, and later placed it circa 1630-35, noting that it reflects Rubens' admiration for the small landscapes of Cornelis Brouwer.