PROPERTY FROM THE ESTATE OF LEONARD GREEN SOLD FOR THE BENEFIT OF THE GREEN FOUNDATION FOR THE SUPPORT OF THE ARTS, EDUCATION, AND MEDICAL/SCIENTIFIC RESEARCH
William Kloss writes of Point Lobos, Monterey, California, a similar painting also completed during the winter of 1912 (oil on canvas, 30 ¼ by 40 ½ inches, White House, Gift of the White House Historical Association, Washington, D.C.), “This striking painting typifies Moran’s late work. Its calculated aesthetic effects are exaggerated, but they produce a vivid—almost visionary—sensation. Instead of emphasizing the vast horizon of the Pacific Ocean at land’s end, Moran makes his true subject the dramatic interaction of the elements of earth, water and air. The structure of the picture is rigorous. Strong parallel diagonals of trees, storm cloud, and inlet are the dynamic spur to the scene, but they are modified and controlled by an implicit diagonal from the upper left to the lower right. There is to some extent, a traditional theater proscenium structure, with darker foreground and wings framing a scenic backdrop. But the heightened colors and suave brushwork mostly disguise that formula.
“Everything in the painting contributes to cohesion. The brushwork, though economical, is never vague. The agitated waves, the cusps of blue water and whitecap, are strongly tactile. The deep blue and turquoise of ocean and inlet stun the eyes, in contrast to the nuanced chiaroscuro of the precisely drawn rocks and trees. These dappled passages of light and shade, supremely elegant, lend the painting depth and surface order” (Art in the White House: A Nation’s Pride, Washington, D.C., 1992, p. 233).
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