Lot 21
  • 21

Constantinos Parthenis Greek, 1878-1967

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Description

  • Constantinos Parthenis
  • Still life
  • signed u.r.
  • oil on canvas
  • 41 by 81cm., 16 by 32in.

Provenance

Private Collection, Athens

Exhibited

Venice, Biennale Internazionale d'Arte di Venezia, 1938, no. 10, illustrated
Athens, Federation of Greek Industries, Parthenis, 2004, pp. 32 -33, illustrated 

Catalogue Note

Painted in pastel colours, Still Life is part of a series of nature mortes Parthenis created during the 1930s. Influenced by the modern currents he encountered when in Paris before World War I,  Parthenis, through his art, introduced elements of Art Nouveau and cubism to Greece.  "We must create for the future and be inspired by the future. In any case, this will happen and prevail; the more we move away from the past, the better we shall see, and we will stop to be short-sighted". (Constantinos Parthenis, quoted in Dimitris Papastamos, Painting 1930-40, Astir Company, 1981, p. 68).

The importance that Parthenis attached to drawing is evident in the prominent use of line in the present work. Fine lines are enhanced only by the most delicate use of light and colour. The subtle hues of red, blue and yellow, used to accentuate objects, imbue this painting with a mysticism typical of Parthenis' mature work. He was quoted as saying to his students  "You must remember! Light=colour. This is what creates shape". (ibid. Papastamos,  p. 66).

A professor at the Athens School of Fine Arts from 1929 to 1947, he encouraged his students to paint using their mind  and soul: "Gentlemen, the greatest labour in the creation of art is the work of the mind, and the painter should also work with the mind and soul, just as the poet is never tired of noting the verses with a pencil, but labour intellectually and his whole work is done with the mind and the emotions". (Constantinos Parthenis, ibid., Papastamos, p. 66).

The present work (together with lot 8) was among the fifty-six paintings Parthenis chose to exhibit at the Venice Biennale of 1938.