- 196
Bartolomeo di Giovanni Documented in Florence between 1488 and 1511
bidding is closed
Description
- Bartolomeo di Giovanni
- saint john the baptist
- tempera on panel
Exhibited
Birmingham, City Museum and Art Gallery, Works of Art from Midland Houses, 1953, no. 158;
Nottingham, University Art Gallery, Pictures from Locko Park, 1968, no. 9;
Sheffield, Graves Art Gallery, on loan 1992-1994.
Nottingham, University Art Gallery, Pictures from Locko Park, 1968, no. 9;
Sheffield, Graves Art Gallery, on loan 1992-1994.
Literature
J.P. Richter, 1901, no. 266 (as by Raffaellino del Garbo);
B. Berenson, The Florentine Painters of the Renaissance, 1909, p. 128 (as by Raffaellino del Garbo);
B. Berenson, Italian Pictures of the Renaissance. Florentine School, Oxford 1963, vol. I, pp. 26 and 187;
B. Nicolson, "Review of the Nottingham exhibition", in The Burlington Magazine, vol. CX, March 1968, p. 780;
A. Smart, "The Locko Park Collection", in Apollo, vol. LXXXVII, March 1968, p. 73;
E. Fahy, Some followers of Domenico Ghirlandaio, New York 1976, p. 144, no. 45 (as Bartolomeo di Giovanni);
Nottingham, University Art Gallery, Locko Park and the Drury Lowes, appendix to the exhibition catalogue, p. 38, no. 6.
B. Berenson, The Florentine Painters of the Renaissance, 1909, p. 128 (as by Raffaellino del Garbo);
B. Berenson, Italian Pictures of the Renaissance. Florentine School, Oxford 1963, vol. I, pp. 26 and 187;
B. Nicolson, "Review of the Nottingham exhibition", in The Burlington Magazine, vol. CX, March 1968, p. 780;
A. Smart, "The Locko Park Collection", in Apollo, vol. LXXXVII, March 1968, p. 73;
E. Fahy, Some followers of Domenico Ghirlandaio, New York 1976, p. 144, no. 45 (as Bartolomeo di Giovanni);
Nottingham, University Art Gallery, Locko Park and the Drury Lowes, appendix to the exhibition catalogue, p. 38, no. 6.
Catalogue Note
Bartolomeo di Giovanni, whose oeuvre was first constructed by Berenson under the name of Alunno di Domenico, is documented as a follower and workshop assistant of Domenico Ghirlandaio, on whose altarpiece of the Adoration of the Magi in the Ospedale degli Innocenti in Florence he is known to have worked in 1488.