Contemporary Art Online

Contemporary Art Online

View full screen - View 1 of Lot 495. NIKI DE SAINT-PHALLE | I. TOTEM, UPSIDE DOWN NANA, LE TEMOIN | II. NANA SANTÉ | III. STRENGTH [3 WORKS].

NIKI DE SAINT-PHALLE | I. TOTEM, UPSIDE DOWN NANA, LE TEMOIN | II. NANA SANTÉ | III. STRENGTH [3 WORKS]

Lot Closed

March 7, 06:28 PM GMT

Estimate

800 - 1,200 USD

Lot Details

Description

By Women For Tomorrow's Women: A Benefit Auction For Miss Porter's School


NIKI DE SAINT-PHALLE

1930 - 2002

I. TOTEM, UPSIDE DOWN NANA, LE TEMOIN

II. NANA SANTÉ

III. STRENGTH

[3 WORKS]


each signed and titled  

i. lithograph 

ii. paper collage on lithograph

ii. woodcut


i. 22¼ by 18½ in. (62 by 47 cm.)

ii. 22¼ by 19⅜ in. (61.1 by 49.2 cm.)

iii. 15¼ by 20⅞ in. (38.5 by 52.6 cm.)


i. Executed in 2001, this work is number 3 from an edition of 50.

ii. Executed in 1999, this work is number 8 from an edition of 50.

iii. Executed in 1973, this work is number 81 from an edition of 100. 

Niki de Saint Phalle was a sculptor, painter, and filmmaker, best known for her monumental sculpture and Nanas. Following a thematic period of violence and aggression in de Saint-Phalle’s work, the first Nanas appeared in 1965 for a solo exhibition at the Galerie Alexandre Iolas in Paris. As de Saint-Phalle grew artistically and intellectually, so did her craft. Where the shocking and dramatic Shooting paintings recalled her disturbing childhood and deep-seated anger toward men, the Nanas evoke a positive message of recovery and strength. Straying from gunshots and gore, her creations grew increasingly joyous, playful and quintessentially feminist. With voluptuous curves and hyperbolic proportions, the Nanascelebrate women; they applaud the female figure in all of its art historical significance, challenging conventional expectations of a woman’s role in society. The present works present an archetype–the ‘Everywoman’–embracing feminist ideology in form and content.