Property from the Collection of Harry P. Kamen
Georg Tappert
Dame im Café (Eine Tasse Schokolade) (Woman in a Café (A Cup of Hot Chocolate))
Auction Closed
November 14, 11:00 PM GMT
Estimate
120,000 - 180,000 USD
Lot Details
Description
Property from the Collection of Harry P. Kamen
Georg Tappert
1880 - 1957
Dame im Café (Eine Tasse Schokolade) (Woman in a Café (A Cup of Hot Chocolate))
signed Tappert (upper left)
oil on canvas
32 ⅜ by 29 ¾ in.
82 by 75.6 cm.
Executed in 1917.
Estate of the artist
Galeria Conkright, Caracas (acquired circa 1966)
Christie's, New York, 17 May 1984, lot 349
Marvin and Janet Fishman, Milwaukee (acquired from the above)
Sotheby's, London, 7 February 2006, lot 16 (consigned by the above)
Acquired from the above by the present owner
Galeria Conkright, Caracas (acquired circa 1966)
Christie's, New York, 17 May 1984, lot 349
Marvin and Janet Fishman, Milwaukee (acquired from the above)
Sotheby's, London, 7 February 2006, lot 16 (consigned by the above)
Acquired from the above by the present owner
Berlin, Grosse Berliner Kunstausstellung, Georg Tappert: Gedächtnisschau, 1958
Kassel, Kunstverein, Georg Tappert: Gedächtnisausstellung, 1959
Fulda, Stadtschule, Berliner Künstler: Fritsch-Luckner-Tappert, 1960
Berlin, Akademie der Kunst, Georg Tappert 1880-1957: Gedächtnis-Ausstellung, 1961, no. 34, p. 15, fig. 94 (titled Eine Tasse Schokolade and dated c. 1991)
New York, Leonard Hutton Galleries, A Retrospective Exhibition of Paintings by Georg Tappert, 1964, no. 17 (titled At the Tearoom and dated 1912)
Los Angeles, Ernest Raboff Gallery, Georg Tappert, 1965
Caracas, Galerie Conkright, German Expressionist Painting, 1966
Rome, Villa Massimo, 1984, no. 349
Milwaukee, Patrick and Beatrice Haggerty Museum of Art, Marquette University, A Focus on Images: Sense and Form, 1984-1985 (dated circa 1912-17)
Berlinische Galerie, Museum für Moderne Kunst, Fotographie und Architektur im Martin-Gropius-Bau, Ich und die Stadt: Mensch und Großstadt in der deutschen Kunst des 20. Jahrhunderts, 1987, no. 197, illustrated in color
Los Angeles County Museum of Art; Fort Worth Art Museum; Düsseldorf, Kunstmuseum and Halle, Staatliche Galerie Moritzburg, German Expressionism 1915-1925: The Second Generation, 1988-1989, no. 189, p. 182, illustrated
Milwaukee Art Museum; Berlinische Galerie, Museum für Moderne Kunst, Fotographie und Architektur im Martin-Gropius-Bau; Frankfurt, Schirn Kunsthalle; Emden, Kunsthalle, Stiftung Henri Nannen; New York, The Jewish Museum; Omaha, Nebraska, Joslyn Art Museum and Atlanta, The High Museum of Art, Art in Germany, 1909-1936, From Expressionism to Resistance: The Marvin and Janet Fishman Collection, 1990-1992, no. 153, p. 131, 116 and pp. 228-29, illustrated in color (no. 152, Berlin and Frankfurt)
The Hague, Museum Paleis Lange Voorhout; Brussels, Palais des Beaux-Arts; Stockholm, Liljevalchs Konsthall and Helsinki, Helsingin Taidehalli, Art et résistance, Les peintres allemandes de l'entre-deux-guerres - La Collection Marvin et Janet Fishman, 1995-1996, no. 157
Milwauwkee, Patrick & Beatrice Haggerty Museum of Art, Marquette University, German and Austrian Art of the 1920s and 1930s: The Marvin and Janet Fishman Collection, 2002, no. 67
Kassel, Kunstverein, Georg Tappert: Gedächtnisausstellung, 1959
Fulda, Stadtschule, Berliner Künstler: Fritsch-Luckner-Tappert, 1960
Berlin, Akademie der Kunst, Georg Tappert 1880-1957: Gedächtnis-Ausstellung, 1961, no. 34, p. 15, fig. 94 (titled Eine Tasse Schokolade and dated c. 1991)
New York, Leonard Hutton Galleries, A Retrospective Exhibition of Paintings by Georg Tappert, 1964, no. 17 (titled At the Tearoom and dated 1912)
Los Angeles, Ernest Raboff Gallery, Georg Tappert, 1965
Caracas, Galerie Conkright, German Expressionist Painting, 1966
Rome, Villa Massimo, 1984, no. 349
Milwaukee, Patrick and Beatrice Haggerty Museum of Art, Marquette University, A Focus on Images: Sense and Form, 1984-1985 (dated circa 1912-17)
Berlinische Galerie, Museum für Moderne Kunst, Fotographie und Architektur im Martin-Gropius-Bau, Ich und die Stadt: Mensch und Großstadt in der deutschen Kunst des 20. Jahrhunderts, 1987, no. 197, illustrated in color
Los Angeles County Museum of Art; Fort Worth Art Museum; Düsseldorf, Kunstmuseum and Halle, Staatliche Galerie Moritzburg, German Expressionism 1915-1925: The Second Generation, 1988-1989, no. 189, p. 182, illustrated
Milwaukee Art Museum; Berlinische Galerie, Museum für Moderne Kunst, Fotographie und Architektur im Martin-Gropius-Bau; Frankfurt, Schirn Kunsthalle; Emden, Kunsthalle, Stiftung Henri Nannen; New York, The Jewish Museum; Omaha, Nebraska, Joslyn Art Museum and Atlanta, The High Museum of Art, Art in Germany, 1909-1936, From Expressionism to Resistance: The Marvin and Janet Fishman Collection, 1990-1992, no. 153, p. 131, 116 and pp. 228-29, illustrated in color (no. 152, Berlin and Frankfurt)
The Hague, Museum Paleis Lange Voorhout; Brussels, Palais des Beaux-Arts; Stockholm, Liljevalchs Konsthall and Helsinki, Helsingin Taidehalli, Art et résistance, Les peintres allemandes de l'entre-deux-guerres - La Collection Marvin et Janet Fishman, 1995-1996, no. 157
Milwauwkee, Patrick & Beatrice Haggerty Museum of Art, Marquette University, German and Austrian Art of the 1920s and 1930s: The Marvin and Janet Fishman Collection, 2002, no. 67
Gerhard Wietek, Georg Tappert, 1880-1957, Ein Wegbereiter der Deutschen Moderne, Munich 1980, no. 174, p. 123 illustrated and p. 185
Frank Lewis, "An Interview with Marvin and Janet Fishman," Art Muscle, 1990, p. 28, illustrated in a photograph
Frank Lewis, "An Interview with Marvin and Janet Fishman," Art Muscle, 1990, p. 28, illustrated in a photograph
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